Thursday 17 November 2011

Was I Never There?

If nothing I say is heard

And I fall alone unseen

Was there value in my words

And what did I mean?

Did I exist if when I fall

Nobody hears my cry

Did I mean nothing at all

If alone I die.

If forever I preach

To empty chairs

Was there value in my speech

Or was I never there?

Tuesday 15 November 2011

THE WIRE

Omar muthafuckaz

Watch it. Now.

The Wire is fucking great. Everyone knows this. Why does everybody in the world not watch it? Why did I wait ten months after getting the boxset to actually dig into the fucken thing? I don't know, people are assholes and I'm a big asshole. Fuck you! See, that was me being an asshole.

I don't know what a Television is so I can't explain to you WHY it's good (ok I could but I'm lazy and I'm only writing this because I haven't posted on this here blog in ages and I'm putting off a Politics essay that's due tomorrow and I really should be doing). There have been numerous moments in the series where I literally drop my mind in a pile of my own semen and think "jeeeeeeeeeeezus even the camera angles on that were fucking incredible" but I don't want to spoil the series for anyone who hasn't seen it all yet so I won't mention them.

Of course the main plot is great (or plots rather, this shit is MULTI-LAYERED), with plenty of great crime and crime-fighting (Season 3 is recommended for any murder aficionados) but like any great fiction its enjoyability rests in the homely situations that are nondescript in the grand scale of things, but make it all that better. Sure, it seldom advances the storyline when McNulty and Bunk go out and get horrendously shitfaced, but as you get to know the characters the little things start to matter so much and bring the show closer to your heart. The scenes of the small-time gangstaz socialising on the street corners as they wait for customers to flog their product to are priceless, a wonderful reminder that while everyone in The Wire is playing the Game in some sort of way, be they police, criminals, politicians or anybody in the fucked city of Baltimore, ultimately they're all playing the game of life.

Now before I disappear up my ass anymore in trying to explain the programme's superlative quality, I should admit to you that the Wire is not for everybody; my mum doesn't like the bleak realism and my friend Henry doesn't understand what all the black people are saying. But if you can get into it then it's definitely worth perseverance (I'm on season 4 and they have all been uniformly brilliant so far, even if I gave such little a fucking shit about those dock workers most of the time after a fantastic first season of black gangstahood, and  that humourless fuckwit Marlo needs to get shot ASAP). The first few episodes didn't quite grab me although I enjoyed them, but once I knew the characters...man this product is the shit.

The Garden

This is laden with philosophy and religion, and shit.


The Garden


We never left the garden; it’s still here in our hearts.

The man who owned the house he built it beautiful and full of life,

With flowers fetching sunlight just to feed the eyes

And grasses where the children of enlightenment could learn to play.

Trees gazing ever-upwards for one day they’d reach the skies,

Propping up its canvas so that nighttime could dance on to day.


He hired me to weed and manage all the beauty there;

To pull up all the roots which goodness left alone, too scared

To touch with righteous fingers and commend as beauty’s own:

Never dipped into the Styx and sentenced to be rid.

But when I looked, I never did find evil’s rotten groan;

And within all the plants a beckoned brightness hid.


And when I turned the house had gone, and never have I found

His face again; the property a project without profit.

But gardening, unnoticed, I went on and worked the lands

As if it was a punishment he’d left to me to do.

Yet I could never weed up any plants, for guilty hands

Would wring my soul and bury me, I knew.


Many came and talked of how before these weeds had spread

The garden was a beacon bearing beauty in its every seed.

Their eyes, they never saw me; I guess that they preferred

To think no gardener could let such havoc wreak its course.

But there I stood and only beauty saw and only heard

The voices of unopened eyes, so hoarse.


I can’t decide if I am mad or if he tricked me from the start

And made sure everything that grows upon this land is beautiful.

But I have always shed a tear as I am growing older

That no one else will ever truly notice how I see,

And maybe beauty’s in the eyes of the beholder,

But it is all still beautiful to me.

Monday 14 November 2011

The Man Who Left His Keys

In the corner he sat

All evening, holding

His glass to his hand

And his eyes to the glass.


Nobody asked him his name.

He was someone

From somewhere else.

And nobody knew his look;

His empty eyes staring into the glass

Hoping to see something stare back.


His hair dishevelled from the heavens

Unloading their tears.

He must have been out there a while,

He must have walked a while.

He looked cold

He kept his coat on.


And he played with his hands

Like they had answers

Hidden in the fingertips.

Or the palms,

Or adjoining the arm.

I wonder if he found them.


An epiphany in the dim light

(That one always did flicker)

Struck him like the bell for last orders

Had sung into his soul

A hymn of some sort;

Who am I

To know.


And he stood with those empty eyes

Staring as if answering

A question from a ghost ahead.

But there was just

The pinball machine:

It’s broken but

Sometimes strangers try anyway.


He left like a decision;

Marching off as a hollow soldier

With a stare from the trenches

And his hair still wet

And his coat undone

And a blank expression

Wrapped around his face.


I thought that he’d freeze

If he had to walk home.

I think he lived far away,

He’s from somewhere else;

He left his keys

On the table.


By the beer he hadn’t finished

And the coaster he hadn’t used.

Who uses coasters anyway?

Sure the table gets wet

And it might make a mark,

But I don’t mind

I guess you are

What you leave behind.


A mark on a table

From the man who left his keys.

Saturday 12 November 2011

On Poetry

A poet without a pen,

A quill without the ink;

Yet time and time again I’ll try

To build the bridges from my head, I think

I’m hopeless. A lost cause.

A ship destined to sink,

A dying man’s final pause.

A broken bottle sent to bear

Love-letters, no better way

To waste my final words

Than stuttering an utterly unconvincing

Message of pseudo-intellectual

Hopelessness.

Inspired with no inspiration,

Head swarming with thoughts,

But no net or better yet the concentration

To catch them; write their nectar into beauty.

A crying man’s tears don’t make a tragedy

And a dying man’s final words don’t make an obituary.

Just a tongue-tied man trying to talk in the forms

And bring them back to paper;

Draining dregs of ideas from a keg of concepts

Left to lie in mortal feelings of frustration.

Being a poet is the slow acceptance of mortality,

Being human is pretending that’s a lie.

Lines torn from my mind;

A different person left behind each time,

A former version of myself shed like snake skin.

Waking where a previous incarnation lay,

Each day drilling deeper in my mind

To find thoughts to spread like butter on my empty page;

An age spent searching, a life spent waiting

For that elusive perfection to hit me.

Creating trails of torn up paper in my path

I crawl on, surfing on enjambment to a blistered next step.

But rounding up footprints and finding their feet

I know that I’m six lines

From bliss. And poetry is

Making madness from the trails of ideas

That raced on leaving just tyre tracks behind.

Spelling out from burnt rubber in your mind

And moulding the mess into a sentence.

Crawling on and dispensing beauty in your wake.

For God’s sake, it’s beautiful.

You’re beautiful.

Friday 4 November 2011

Choosing a Gravestone

It’s a director’s cut

To your own life,

Should I be ‘loved by all’,

‘missed by wife’ or

‘lives on in spirit’?

I think this will be the death of me.

Thursday 3 November 2011

The Centre of The Earth

Wake

To a another day of daytime television, takeaways and

‘For God’s sake pay the damn rent’.

Eyes open, mind closed

And the cupboards ajar.

Preserving your own crime scene

With biscuit crumbs and carpet stains.

The clock in the corner giving up

Because you never listen

And a stray sock slowly drowning on the floor.

You could have tidied up more,

There’s a world

Spinning round your apartment

And you’re trying to pry up the remote

With your foot.